The Publishers Association (PA) has criticised the government's response to a House of Lords report on AI, saying that it has failed to make "any tangible commitments to protect the creative industries against mass copyright infringement".
OpenAI claimed it's "impossible" to build good AI models without using copyrighted data. An "ethically created" large language model and a giant AI dataset of public domain text suggest otherwise.
The conversation around artificial intelligence (AI) and its implications for publishing and the wider creative industries is very much live. Over the last year, every corner of our industry has been confronted with the colossal innovation in the generative capability of this new technology, with little known as to how it will impact our sector.
In an emphatic 47-page opinion, federal judge John G. Koeltl found the Internet Archive infringed the copyrights of four plaintiff publishers by scanning and lending their books under a legally contested practice known as CDL (controlled digital lending). And after three years of contentious legal wrangling, the case wasn't even close. Read more
The backlash to Puffin Books' decision to update Roald Dahl's children's books has been swift and largely derisive. The publisher has been accused of "absurd censorship", "corporate safetyism" and "cultural vandalism." Read more
After authors including Kate Mosse and Philip Pullman warned that proposals to change the UK's copyright laws could be "devastating" for writers, the government has paused its plans.
'I'm very reassuringly honest. It's a job as well as a calling. It's my living - I'm the chief breadwinner in my house. My husband is retired, he supported me through the two decades while I wasn't making enough to live on, and was doing all kinds of things to do with writing to survive - judging competitions, running workshops, appraising manuscripts.
‘My settings of Europe and English visitors weren't really doing it for them, so we decided Scotland would be good. I thought an island would be great, because it's a small community, and it's an opportunity for my main character to get away from it all. The team at HarperCollins have been so supportive and enthusiastic... Read more
For the past five years or so, I've read books on my phone. The practice started innocently enough. I write book reviews from time to time, and so publishers sometimes send me upcoming titles that fall roughly within my interests. Read more
The Guardian calls Irish-Indian poet Nikita Gill "Britain's most-followed poet on social media"-she has 780,000 Instagram followers and 180,000 TikTok followers, and her Instapoetry has been reshared by the likes of Khloe Kardashian, Alanis Morissette, and Sam Smith-and she has published seven volumes of poetry and two novels in the U.K. But she is far less known on this side of the pond. Read more
Nikkolas Smith knows a thing or two about book bans. The illustrator has created five picture books over the last three years-four of which have been yanked off library shelves. There's I am Ruby Bridges, about the civil rights icon; That Flag about the confederate flag; Born on the Water, which explores slavery; and The Artivist which features a child supporting trans kids.
Simon & Schuster has acquired the largest Dutch publishing group Veen Bosch & Keuning, including all of its publishers in the Netherlands and Belgium, as well as sister companies Thinium and Bookchoice.
The Publishers Association (PA) has criticised the government's response to a House of Lords report on AI, saying that it has failed to make "any tangible commitments to protect the creative industries against mass copyright infringement".
'I'm very reassuringly honest'
‘My settings of Europe and English visitors weren't really doing it for them, so we decided Scotland would be good. I thought an island would be great, because it's a small community, and it's an opportunity for my main character to get away from it all. The team at HarperCollins have been so supportive and enthusiastic... Read more